
Damien Ryan
Director

Damien is Founder and Artistic Director of Sport for Jove Theatre, now in its 17th year. He has directed over 60 productions in that period for hundreds of thousands of Australians and reached students across NSW and Queensland annually with the company’s comprehensive Education Program. His most recent credits include adapting/directing The Player Kings: Shakespeare’s History Cycle (Seymour Centre) and writing/directing the acclaimed original work Venus and Adonis for stage and feature film.
As actor, director and writer he has worked extensively across Australia’s major companies. He spent 15 years with Bell Shakespeare as actor, director and writer of education materials and seminars. As director and actor he has also worked with STC, MTC, Belvoir, Queensland Theatre, Sydney Festival, Ensemble Theatre, Black Swan, CTC, Brisbane Festival, Hothouse Theatre, Haydn Ensemble and Bach in the Dark, while maintaining a passionate commitment to the Independent sector in Sydney over a 30 year period. He is a proud member of MEAA.
Damien has been awarded for Henry V (Sydney Theatre Awards for Best Mainstage Production, Best Director, and Greenroom Award for Best Mainstage Production, nominated for Best Director), Antigone (Sydney Theatre Award for Best Production and Best Director), Cyrano de Bergerac (Sydney Theatre Awards for Best Production and Best Director), All’s Well That Ends Well (Sydney Theatre Award for Best Production), The Libertine (Sydney Theatre Award for Best Independent Production, Timeout Award for Best Production and Best Director), and Othello (Sydney Theatre Award for Best Supporting Actor for Iago), along with many other nominations; Glug Awards for Best Production/Director for The Father (STC), No End of Blame (SFJ) and Look Back in Anger (with Lizzie Schebesta, Old Fitz). He has written extensive education programs and has two award-winning plays published with Currency Press, and his newest play Prometheus has been published by the NSW Board of Education for the 2026 syllabus.
Damien is currently writing several works – a new adaptation of The Three Musketeers from Dumas’ novel, an Australian work based on Kate Lyon’s novel The Water Underneath, and several original plays including Napoleon’s Garden and in early development, plays about Van Gogh, Caravaggio, a work set in a remote NSW town called Concussion, and a story drawn from the tale of Australia’s first bank robbery, called Suddenly.

James Browne
Set and Costume Designer

James is a graduate from Theatre Design at the Western Australian Academy of Performing Arts (WAAPA) and Australian Film Television and Radio School (AFTRS) in Art Direction. He has received nominations in the Australian Production Design Awards, Green Room Awards and Sydney Theatre Awards and won Best Costume Design – Musical for HAIR in the 2020 BroadwayWorld Sydney Awards. Other MainStage musicals include GHOST (Theatre Creation Japan), THE SELFISH GIANT (Victorian Opera), CABARET, LAST 5 YEARS, XANADU, MIRACLE CITY, CRUEL INTENTIONS, MIDNIGHT, most recently set and costume designs for a new production of GREASE (GFO). Plays include TURNS, TIM (CDP), LADIES DAY, BEACHED, DIVING FOR PEARLS (Griffin), GUARDS AT THE TAJ, KARIM(NTOP) and LETTERS TO LINDY (Merrigong), THE GREAT DIVIDE (Ensemble).
Childrens stage productions include- SPOT, THE VERY HUNGRY CATERPILLAR, THE RED TREE, JOSEPHINE WANTS TO DANCE, YONG and PETE THE SHEEP (Monkey Baa).
Circus and Cabaret shows include VELVET, CIRQUE STRATOSPHERE, LIMBO, SABRAGE (London) and BLANC DE BLANC.
James has just designed HALF LIFE OF MARIE CURIE and PRIMARY TRUST (Ensemble) and soon to be designing NATURISM (Griffin).

Matthew Marshall
Lighting Designer

Born and raised in Perth Western Australia, Matthew Marshall is a graduate of the West Australian Academy of Performing Arts (WAAPA) Production & Design course in 2000.
Recent designs include Dido & Aeneas (Opera Queensland), The Barber of Seville (Seattle Opera and Des Moines Metro Opera), Gatsby at the Green Light (Sydney Opera House/Caper & Crow), Il Tabarro (Victorian Opera), Der Ring des Nibelungen or The Ring Cycle (Opera Australia), Le Comte Ory, Cosi Fan Tutte, The Unruly Tourists and Macbeth (New Zealand Opera), Chorus! (Opera Australia), Vigil: Awaken (Sydney Festival), Velvet Rewired (Organised Pandemonium), Oil (Black Swan State Theatre Company), Ballet at the Quarry and Goldberg Variations (West Australian Ballet), Eirebourne (Mellen Events/Mpire), The Crowd & I (Australian Chamber Orchestra), A Winters Journey (Musica Viva), Dark Mofo Night Mass (DarkLab), Mary Stuart (Perth Festival/Performing Lines), The Marriage of Figaro (New Zealand Opera), James Galea’s Best Trick Ever (Sydney Opera House), City of Lights (Perth Festival), Tim Minchin’s The Absence of You music video, Cinderella (Seattle Opera), Turn of the Screw (New Zealand Opera), a new full length ballet Tchaikovsky (Tulsa Ballet), the outdoor Handa Opera on Sydney Harbour La Bohéme (Opera Australia), American Idiot Australian national tour (Shake & Stir/QPAC), Athalia (Pinchgut Opera), Askungen (Royal Swedish Opera), Carmen (Oper Leipzig), Club Swizzle (Roundhouse London) and La Cenerentola (Oper Leipzig, San Diego Opera).